Since 1926, Pelican Publishing Company has been committed to publishing books of quality and permanence that enrich the lives of those who read them.
New Orleans Jazz Fest: A Pictorial History is an extraordinary documentation through photographs of the evolution of this yearly festival that in New Orleans has become a seasonal ritual comparable only to the revelry of Mardi Gras. Dividing the book into four sections of five-year periods, photographer Michael P. Smith has compiled a running history of the Fest from its first year, when it drew a crowd of only several hundred people to a small site in Congo Square, up through its third decade and its present thirty-five-acre site on the Fair Grounds Race Track.
The story of Johnson’s lost photograph is also the story of Schein’s crusade to prove he’s holding a bona fide piece of music history. Much like a modern-day Don Quixote in a felt fedora, Schein is on a mission to convince others to see the truth as only he can.
This is the ePub/eBook version of this title. This is not the print edition.
This collection of photographs and memories documents Professor Longhair’s entanglement in New Orleans music and popular American music in general.
Roy Acuff: The Smoky Mountain Boy draws upon personal interviews with Acuff’s contemporaries, friends, and family as well as Acuff himself. This combination honors Acuff by tracing the roots of his career through the evolution of his musical style and his distinctive American art form. Paperback.
Scottish Songs is a collection of 44 traditional compositions arranged for voice and piano, providing the full lyrics and music from the rousing Jacobite song “Charlie my Darling” to the sad lament of “Loch Lomond.” Hardcover.
The musical capacity of the negro race has been recognized for so many years that it is hard to explain why no systematic effort has hitherto been made to collect and preserve their melodies. Paperback.
Music writer and cultural historian Roger Hahn provides an intimate glimpse into a music genesis and legacy that has spread across the globe. From creating new categories of music like jazz and zydeco to adding new sounds to older genres like rhythm and blues, rock ’n’ roll, funk, and hip-hop, Louisiana has put her stamp on them all. With an introduction that includes an impressive overview of the state’s contribution to America’s music history, Hahn launches into biographies of twenty musicians and musical groups who have shaped—and are shaping—the face of our musical landscape. Included are well-known figures like Louis Armstrong, Jerry Lee Lewis, Fats Domino, The Boswell Sisters, Mahalia Jackson, Harry Connick, Jr., Lil Wayne, and Hunter Hayes. Right beside them are lesser-known but no less significant or influential figures including Jelly Roll Morton, Clifton Chenier, Steve Riley & The Mamou Players, Trombone Shorty, The Dirty Dozen Brass Band, and Buddy Guy. The biographies present a small capsule of the artists’ cultural inheritances, influences, and accomplishments. A full-color portrait by artist Chris Osborne accompanies each profile in this testament to Louisiana’s musical legacy.
John Broven returns to update his comprehensive look into the history of this distinctive music of the Cajun Bayous.
Among those captured in image and word are Terence Blanchard, Harry Connick Sr., Jeremy Davenport, Fats Domino, Clarence “Frogman” Henry, Dr. John, Ellis Marsalis, Frank Minyard, Charmaine Neville, Albinas Prizgintas, Katey Red, Paul Sanchez, Irma Thomas, Allen Toussaint, Uncle Lionel, and Johnny Vidacovich.
It’s not every day that you get to meet your idol. For John Taylor, that day came in 1975 when he stopped by New Orleans’ Sea-Saint Studio on a whim and struck up a relationship with Paul and Linda McCartney. After the breakup of the Beatles, the McCartneys formed the band Wings, which was active through the early ’80s. The band had come to New Orleans to record their album Venus and Mars at Allen Toussaint’s famous studio, setting the stage for some of the greatest-ever moments for McCartney fans.